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Re: Beyond the 4-style mode
That would be all of Adobe’s fonts, for one thing. By “all” I mean Adobe’s old PostScript Type 1 fonts, as well as all their OpenType fonts. Name ID 6 is the PostScript FontName, and Adobe always co…1 -
Re: Input on work in progress typeface
Also, as a general rule, it is better to do a handful of characters and polish them, and then get feedback on them and refine them repeatedly, gradually expanding the character set, than to do a full…5 -
Re: Fontlab 7 vs Monotype's Font Validator
Nobody would be able to tell for sure if it was something wrong with the new font files in this regard, without you sharing the “version name”* and PostScript name entries for the new fonts. (Name ID…2 -
Re: Seeking Recommendations for a Bitmap-to-Outline Workflow
Vexy Lines does a kind of vectorization, but it is no help at all for what Daniel is looking for, here. I think of it as “vector-based half-toning,” if that gives you a sense of what it is up to. Not…2 -
Re: Tight font kerning on all pairs at once
This can be done for static fonts. But for variable fonts? Ouch. If you want it always exactly at the point of just touching… you would find this challenging to do truly perfectly for all normal glyp…1
